THE TANK

The TANK Itself

Constructed around 1940 as a railroad water-treatment facility, the Tank was moved by a utility company to Rangely in the mid-1960s for use as part of a fire-suppression system.  The plan was never realized, as the underlying shale proved unable to support the weight of the filled tank. However, the bed of gravel upon which the tank was placed bowed its floor into a gentle parabola, giving it its remarkable acoustical resonance.

History

In 1976, sound artist Bruce Odland was shown the place by two Rangely locals.  Odland understood immediately that he had stumbled upon a treasure. “I’d never heard anything like it,” he said. “I’d never heard a sound last that long, with these dizzyingly beautiful reverberation effects going all over the place.”  For years after Odland’s discovery, The TANK became a secret performance and recording space for a dedicated group of sound artists and musicians. 

Then in 2013, when The TANK’s existence was threatened–the owner considered selling it for scrap–these artists and others responded, forming a group called Friends of The TANK, which included volunteers from all over the country, as well as members of Rangely and Rio County governments, many Rangely area residents, and local businesses.

Two Kickstarter campaigns and many donations from individuals enabled us to secure The TANK and its land; install electrical service, ventilation, and lighting; build an access road and parking lot; cut a full size door for legal access and to accommodate large instruments for the first time; seal and paint the floor and walls, construct a deck, install safety fencing, and provide sanitary facilities.  We then petitioned for a Change of Use permit from storage facility to assembly hall and, once the renovations brought the facility up to international code, The TANK received its Certificate of Occupancy.  Further funding from individual donations funded an executive director position and enabled us to hire others to operate the facility.

During Rangely’s Septemberfest 2015, an Open House at The TANK drew musicians, performers, and visitors from Rangely, Denver, Vernal (Utah), and beyond. Spontaneous jam sessions, a workshop with homeschool students, two concerts at the local elementary school, many hours of sonic exploration by local residents, and a free concert came together at The TANK that weekend. A few weeks later, The Flobots visited The TANK as part of “Detour,” a pilot program from Colorado Creative Industries and the Colorado Office of Economic Development. Even before its official opening, The TANK was already known, talked about, and visited by people in the region, and fast became a signature element of the Western Slope.

In 2017, its third season of operation, The TANK hosted dozens of reserved visits, recording sessions, artist residencies, and performances, including dates by Rinde Eckert, Jessica Meyer, and the Grammy-winning vocal group Roomful of Teeth, along with many local events, like a presentation by the Jefferson County Open School Marimba Band, “Open Saturdays,” during which local residents and visitors can visit The TANK, and off-site concerts by visiting artists in the town park and elsewhere.

National Acclaim

The TANK also began to receive acclaim in Colorado and beyond.  Writing in the New Yorker after witnessing a performance in The TANK, Alex Ross was ecstatic. “In my experience,” he wrote,  “music has never seemed closer to nature.”  The Los Angeles Times covered the place in detail.  “Forget Carnegie Hall. Musicians rush to rural Colorado to play The TANK,” was the headline.  “One road to the musical future,” wrote Alex Ross, “now runs through Rangely.”

Local Support

Critical to the continued success of The TANK is the ongoing support of the Rangely community.  From the beginning, local supporters have contributed knowledge, in-kind contributions, and steadfast support.  Rio Blanco County and Rangely officials have helped us in many ways, including donating and installing a gigabyte fiber optic internet connection, which gives us the capacity to livestream events in The TANK around the world.  Over Christmas in 2016, a group of residents recorded Rangely A’Caroling at the Tank, which we produced as a CD.  Proceeds from the sales of the CD are split between The Tank, Rangley School District RE4 and Colorado Northwestern Community College.

A Hopeful Sign

The TANK is a unique and hopeful sign in a time of division in the country.  Here’s Alex Ross, writing in the New Yorker: “In Rangely, locals have embraced the scheme. Urie Trucking built an access road into the site. The W. C. Striegel pipeline company supplied raw materials that can be converted into percussion instruments.  Giovanni’s Italian Grill created a special Tank pizza.  Rangely is a conservative town—Trump voters greatly outnumber Clinton voters—but it has welcomed the incursion of avant-gardists bearing didgeridoos, and some of the most dedicated sonic tinkerers are locals.  A military veteran finds peace playing violin in the Tank.”  This united response to the Tank is a powerful testament to the potential of art to provide common ground in American culture.

2021 Preview

The Tank has big plans for 2021, some new, some carried over from the 2020 pandemic year.  We’ve especially bolstered our technical ability to send and receive remote audio signals, and we will debut a program we’re calling Put Your Head in the Tank, which will use a binaural head and 360 video to create a profound sonic and visual simulation of being in the Tank, available to anyone, anywhere.

We’ll use this new set-up to livestream concerts and sonic events, beginning in May, with an extraordinary remote performance of a late Beethoven Quartet, played at National Sawdust in Brooklyn, sounded in the Tank, and sent back to audiences there and elsewhere.  Part of the 250th anniversary celebrations of Beethoven’s birth, this presentation will be unique to the Tank.  With its 40-second reverberating sustain, the Tank will require a slow movement from the quartet to be slowed even further, allowing each of the deep and rich chords of Beethoven’s masterwork to rise, ring and fall in turn, so that the piece, written to be played in fifteen minutes, might take an hour or more to perform in the Tank.  This work will be recorded and also presented in the future as a walk-in installation at the Tank.

Our other big event of the year will be in-person, we hope, in late August, as the composer/guitarist Bill Frisell and the filmmaker Bill Morrison return to the Tank to perform “The Tank and the West,” a multi-media exploration of the Tank as a symbol of the American West, with Frisell’s live score played in the Tank and over the surrounding landscape and images from Morrison’s film projected hugely on the structure and the desert hills.  This event, too, will become a standing installation at the Tank.  We are also filming it in process, as a feature-length documentary, funded in part by a major grant from the National Endowment for the Arts.

Ongoing projects also include other film and sonic presentations, and our studio sessions, booked by artists from all over the country, who come to the Tank to play and record.  We’re hoping, too, that our free public visiting hours may resume this summer.

For more about the history of The TANK, read Waving Hands Review:  From Steam Age to World Music Stage The History of Rangely’s “Tank” by Heather Zadra.  For a brief video history of The TANK, click here.

Bill Frisell Projected on the TANK

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