THE TANK

The TANK Itself

Constructed around 1940 as a railroad water-treatment facility, the Tank was moved by a utility company to Rangely in the mid-1960s for use as part of a fire-suppression system.  The plan was never realized, as the underlying shale proved unable to support the weight of the filled tank. However, the bed of gravel upon which the tank was placed bowed its floor into a gentle parabola, giving it its remarkable acoustical resonance.

History

In 1976, sound artist Bruce Odland was shown the place by two Rangely locals.  Odland understood immediately that he had stumbled upon a treasure. “I’d never heard anything like it,” he said. “I’d never heard a sound last that long, with these dizzyingly beautiful reverberation effects going all over the place.”  For years after Odland’s discovery, The TANK became a secret performance and recording space for a dedicated group of sound artists and musicians. 

Then in 2013, when The TANK’s existence was threatened–the owner considered selling it for scrap–these artists and others responded, forming a group called Friends of The TANK, which included volunteers from all over the country, as well as members of Rangely and Rio County governments, many Rangely area residents, and local businesses.

Two Kickstarter campaigns and many donations from individuals enabled us to secure The TANK and its land; install electrical service, ventilation, and lighting; build an access road and parking lot; cut a full size door for legal access and to accommodate large instruments for the first time; seal and paint the floor and walls, construct a deck, install safety fencing, and provide sanitary facilities.  We then petitioned for a Change of Use permit from storage facility to assembly hall and, once the renovations brought the facility up to international code, The TANK received its Certificate of Occupancy.  Further funding from individual donations funded an executive director position and enabled us to hire others to operate the facility.

During Rangely’s Septemberfest 2015, an Open House at The TANK drew musicians, performers, and visitors from Rangely, Denver, Vernal (Utah), and beyond. Spontaneous jam sessions, a workshop with homeschool students, two concerts at the local elementary school, many hours of sonic exploration by local residents, and a free concert came together at The TANK that weekend. A few weeks later, The Flobots visited The TANK as part of “Detour,” a pilot program from Colorado Creative Industries and the Colorado Office of Economic Development. Even before its official opening, The TANK was already known, talked about, and visited by people in the region, and fast became a signature element of the Western Slope.

In 2017, its third season of operation, The TANK hosted dozens of reserved visits, recording sessions, artist residencies, and performances, including dates by Rinde Eckert, Jessica Meyer, and the Grammy-winning vocal group Roomful of Teeth, along with many local events, like a presentation by the Jefferson County Open School Marimba Band, “Open Saturdays,” during which local residents and visitors can visit The TANK, and off-site concerts by visiting artists in the town park and elsewhere.

National Acclaim

The TANK also began to receive acclaim in Colorado and beyond.  Writing in the New Yorker after witnessing a performance in The TANK, Alex Ross was ecstatic. “In my experience,” he wrote,  “music has never seemed closer to nature.”  The Los Angeles Times covered the place in detail.  “Forget Carnegie Hall. Musicians rush to rural Colorado to play The TANK,” was the headline.  “One road to the musical future,” wrote Alex Ross, “now runs through Rangely.”

Local Support

Critical to the continued success of The TANK is the ongoing support of the Rangely community.  From the beginning, local supporters have contributed knowledge, in-kind contributions, and steadfast support.  Rio Blanco County and Rangely officials have helped us in many ways, including donating and installing a gigabyte fiber optic internet connection, which gives us the capacity to livestream events in The TANK around the world.  Over Christmas in 2016, a group of residents recorded Rangely A’Caroling at the Tank, which we produced as a CD.  Proceeds from the sales of the CD are split between The Tank, Rangley School District RE4 and Colorado Northwestern Community College.

A Hopeful Sign

The TANK is a unique and hopeful sign in a time of division in the country.  Here’s Alex Ross, writing in the New Yorker: “In Rangely, locals have embraced the scheme. Urie Trucking built an access road into the site. The W. C. Striegel pipeline company supplied raw materials that can be converted into percussion instruments.  Giovanni’s Italian Grill created a special Tank pizza.  Rangely is a conservative town—Trump voters greatly outnumber Clinton voters—but it has welcomed the incursion of avant-gardists bearing didgeridoos, and some of the most dedicated sonic tinkerers are locals.  A military veteran finds peace playing violin in the Tank.”  This united response to the Tank is a powerful testament to the potential of art to provide common ground in American culture.

Recent Work

2018 found us at a new stage of life as a cultural organization.  We changed our name officially to The TANK Center for Sonic Arts.  We hired Executive Director, James Paul, who came to us with much experience in running arts nonprofits in New York.  We began to expand and build a diverse and professional Board of Directors.

That year we presented a major concert by the master of the Native American flute, R. Carlos Nakai, who proved acutely sensitive to the resonance of the Tank.  Nakai is of Ute and Navajo tribal heritage, and for this concert with percussionist Will Clipman, he evoked some essence of the Native American spirit, his flute resounding inside the Tank and–via Surroundsound speakers, placed in the surrounding hills–echoing across the landscape. In a region marked within living memory by tragic violence and the expulsion of Ute people, his music provided deep consolation to all who heard it, among them Ute tribal members and residents whose grandparents settled the area in the 19th century.

In 2020 we initiated Pivot Point, our mental health programming. The program was funded in part by Arts-in-Society, a coalition of Colorado public health and arts funders (Bonfils-Stanton, Hemera, Colorado Creative Industries, SCFD and the Colorado Health Foundation), to develop creative activities and outreach enhancing access to mental health services in Northwest Colorado. We were awarded the grant in partnership with Steamboat Creates, the arts council in Steamboat Springs, and accelerated the program this spring to help in the COVID-19 pandemic and related economic downturn. As part of the program+, we’ve developed Tank Mind, a 40-minute production in sonic relaxation and mindfulness that we presented in the three-county region over Zoom, and we will produce it this summer as a Youtube video for the general public. The program has a paid mental health counselor, who helps us develop and present the material and offers guidance and referrals to participants. We hope in the future to tailor this program for veterans.

For more about the history of The TANK, read Waving Hands Review:  From Steam Age to World Music Stage The History of Rangely’s “Tank” by Heather Zadra.  For a brief video history of The TANK, click here.

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